“Es will mir nicht
aus dem Sinn”
Tazro Niscino
One of Cologne's most prominent monuments, the statue
of Wilhelm II on horseback, on the Hohenzollern Bridge
directly on the Rhine, is remodeled for the duration of the
exhibition. A staircase leads into a comfortable room where
the Emperor looks out from the floor as a bust. The monument
becomes a decorative object in a living room, a private
sculpture. Tazro Niscino alias Tatsurou Bashi has
already realized several projects that involved reversing
proportions of height and dimensions and at least pulling
that which is "on top" in the hierarchy down to an everyday
level, or rather elevating everyday life. "Queen Victoria",
a public monument in Liverpool, was remodeled so
that the statue ended up in a provisional hotel room. Her
grandson Wilhelm II von Hohenzollern, the last emperor
of the German Empire, undergoes a similar fate.
The monument of Wilhelm was erected between 1907 and
1911. The reign of Wilhelm II (1888-1918) was marked by,
among other things, the first wave of immigration due to
the phase of high industrialization since the founding of
the Empire (1871). In the 1880s, as the demand for workers
in the German mining industry and heavy industries
rose to new heights, other areas of employment followed.
Immigration policies were oriented to a keen observation
of Polish immigration from Austro-Hungary and Russia,
with the aim of forestalling the immigration of so-called
"enemies of the Empire"; a suspension period in winter
only applied to them. In a second point, however, the reign
of Wilhelm II was also marked by Germany's colonial activities,
and finally by World War I. The cozy atmosphere of
Niscino's room invites visitors to a historic encounter with
this figure from the past. Not least of all, here one could
conduct an imaginary conversation about the continuities
of xenophobia, colonialism and migration.
Artist, born 1960, lives and works in Cologne.
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